鼎澤影院提供的《非虛構(gòu)日記》不是一部簡(jiǎn)單的韓語紀(jì)錄片，鄭潤錫導(dǎo)演的非虛構(gòu)日記首次上映于2014年的韓國地區(qū)，是一部在電影史上有著重大意義的韓語語言對(duì)白電影，非虛構(gòu)日記電影的節(jié)奏張弛有度，還有緊張刺激的時(shí)刻，主題新穎獨(dú)特，具有很強(qiáng)的現(xiàn)實(shí)意義，引發(fā)人們的思考。

電影《非虛構(gòu)日記》觀后點(diǎn)評(píng)：《非虛構(gòu)日記》電影邏輯嚴(yán)謹(jǐn)，沒有絲毫的漏洞，是一部值得反復(fù)觀看，細(xì)細(xì)品味的經(jīng)典之作，百看不厭。

《非虛構(gòu)日記》電影劇情介紹：

90?? ?? ??? ??? ??? ??? ??? ??? ??? ????? ?? ??? ???? ?? ??. ????? ??? ???? ??, ?? ??? ??, 5.18 ??? ?? ?? ??? ???? ???? ??? ?? ?? ? ?? ?? ??? ???? ?? ?? ??? ‘??’??. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition